Form.

I worship form with all my soul.

When I walk down the street I see forms
molded yet folded in the whirlpool of groups.
Forms fresh and old rising and falling
with the material of it's composition.

Material and form are together a pantheon
from where gods leave and worshippers enter.
In and out, surrender and escape, in an undefined search;
closer and further away from the shape.

Form is a Godless pantheon.
The aesthetic of the shrine
makes you believe that inside
is a God confined
Who in return for your sacrifice
will redeem your mind from that which led you
to the configuration of He

Materials are in the streets waiting for a composition,
to be confined to the lines
of a music sheet.
Materials burst out of mountains
in the eruptions of volcanos
and harden at the bottom of fossil layers.

Form can be a limited God
of Material and Mind,
endowing the bushes with a fire
and the anatomy with an allure
to get to the leviathans to climb a mountain
and enter the frame that promises only its enslavement on the outline
of the shore of structure.

Material is man's alley,
Naked and soft, just part of a whole
A single member of the choir.
Materiel goes on the alter of fire
polished and cut sacrificing to the goal
of an outlinning plan.

Form is no prison
you're confined when your outside
and the mistake is in your sculpted eyes
pointing to a prism whose rainbows deny the original white light.

Form is Mind and Mind is Me
I stand before Forms everyday watching as if
it's a tombstone with words to tell the by passer that which it frames,
or perhaps like an architectural feat
telling the story of the house
and the people you'll meet
inside.

But Form doesn't go so far
It tricks and licks your cheek
while stroking your back
In a storm of adrenaline.

Form is Mind
Mind is Me
formed by material
and materialized by form.

Human Like Me.

They lie about the truth, 

they lie about you,

they lie about proof,

they lie about lies too,

They are not ashamed of behaving like a tamed

animal in a farm, eating the shit

the farmer has to spare

from the work of his hairy arm.

Not all who tell lies are liars,

some are just the liars goat

jumping off Azazel's cliff of pointy stone

to jump on to the boat of firefighters.

They lie about me, whatever they say.

The stories and gossip for those who chew the cud they dig,

the tales are endless, feeding cattle that is 

cloven hoofed like a pig.

And they tell me about abominations.

They have a whole list of don'ts and do's.

One of them being the renunciation

of their animal chew.

Why do they slither on the sand

like snakes without shoes.

Tell me, does everything taste like earth?

not to me, 

I can taste so much

including the apple on this tree.

When will you see the odor of the fodder

you are being fed.

A cow is not just for the udder that supplies the butter

for the rich in bed

Don't wait till they slit 

your esophagus and trachea,

At the hand of a perfect knife

perfected by generations of shechita

Be like me

the human thou shall not kill

and walk on water before Moses splits the sea and hits the stones,

surpass the calfs of gold and ride along the mill

march with me to the valley of dry bones.

Bask in the sun like Jacob, before Joshua stops it mid sky.

Enjoy the shade like Jonah, before God sends

a worm to let the tree die.

Enjoy bathing in water like Bat Sheva, until Elisha turns it into oil.

Listen to Saul's musician amidst your mental toil

If you can throw stones like David

and shake pillars like Samson

do so in front of a crowd.

Not in a spiraling journey through the desert

hidden behind a cloud.

Be human like me

Ask a question with out cheating

at the writing on the wall.

Speak to your friend

before a heavenly wagon comes to a halt.

Look back and learn

before you are turned into salt.

Walk the earth before it opens it's mouth,

Enjoy the Nidachat town.

Make your home outside a lion's den.

Until your Jericho walls go down.

Be human like me

And discover the list 

that doesn't exist

at the top of the mountain

or the bottom of the sea

see beyond the floods and plagues

and pursue the days

of jubilant plays

by the kids of Amelek and Zion.

The faces of four can be your affair

take the legs of your chair

to tell the story you want to hear

not the symbols that bare

the eagle, the ox or the lion.

Morph out of the animal in the mud

stop eating sand while crawling on your belly

pretend that the sea hasn't turned to blood and

take a stand in the midst of Eilah's valley 

Be human like me.

My World Used To be an Ocean.

My world used to be an ocean

with sea levels above the ground.

All I had was the surface of the sea,

and the sun above

reflecting the world,

and me.

Oh, those images on

the rippled sheet of sea,

these were scenes I won't forget

the reflective sailor I used to be.

In and on the sea

I saw the story

I wanted to tell

the world of sea men.

When my world was an ocean

there was the unchanging sea

wearing the face I put on that day.

And behind the horizon

there was always a mermaid

sitting alone

waiting

while singing a serenade

behind an embracing

sky and sea.

Then the sea levels dropped,

revealing some opaque soil

and solid grounds.

First was a light house

to tall for me to climb,

along with islands

whose language I don't speak.

Then the grounds were revealed, with their

inhabitants who speak so loud

and the mirror was concealed

by a sun blocking cloud.

And the few who take to the ocean

do so to swim, not to reflect

on the sheet of reflecting reality

they have just splashed.

The world of soil reflected nothing

of my face, but the sand did

get in to my eye.

As I trotted along the shore

of forgotten horizons

that shared a sun.

On dry land

the sun only burns

the face that looked up,

while searching for a clear plane

amidst the chaos of sand.

On the ground it's either human or fish,

and the sky and sea never embrace.

While the dropping sea levels

increase their pace.

And the sailor sits on a bench

under a shadow casting tree,

while with his shoes

he writes in the sand

a thought that will be washed away

by the tide of a low level sea.

Blood.

I turned my blood into ink
and spilled it on a vienless sheet
and I sent it to through the bodiless
channels called mail.

I peeled my bruises and
shaved my scars
and put it into an envelope
with no sensory glands
as I painted my burns
on a sheet drier than bones.

But it will not satiate the vampire's hunt
For not all blood is equally blue
and not all ink is equally red.
Not every burn sits on a plate
and not every scar can be fed.

I prepared a meal,
to serve the Beast
that worships pain.
I told him of the journey
where I started with baby skin.
And the road that made me hairy
and rouged, till I lost
the soft flesh of infancy.

On the table
the one who dines gets to choose,
which bone is worth the cut.
That one will get the gift of the oven
and the height of leavened bread.

But the competition
that measures fruition
is not fair with its count.
For the ease
of taking the disease
assumes that all was peace
before the start.

For some
the scar is skin
and the flesh is a sin
that isn't told.
And the ink needs first
to become blood
that runs under the scalp.
And the bruise is the body,
and the face is a burn
of the first degree.

For those, the peeling skin is whole
and the broken bone is complete
And the pain is felt
when the limbs melt
to become like an infant child you see.

But that kind of pain
doesn't make a meal
for the diner gets to decide
which sorrow is real.
A broken bone is something to show
while a whole body is something we all know.

So my vein's ink doesn't dry
and the surgical procedures I endured
are no story to tell.
For scissors that mend
are not like scissors that cut.

All that is left is the corridor
with the feast to its right,
and its reserved seats
for those
whose blood is white.

The Wind.

Every city has a cemetery,
towns have 'em too.

The cemetery is flat land
surrounded by gates,
and dead bones
unsurrounded.

The wind flies freely
above the dead
Uncaptured, unconfined,
Untrapped.

Back in the city
The wind struggles through
the walls and gates
of societies fruit.
The wind has to fight
until it reaches the nostrils
of Adam and Eve
running up a stair case
of a sky scrapping tower.

In the city,
the wind bangs and roars.
Unlike the cemetery,
where it quietly floats
above those who let the wind out.

The wind hovers
above the cemetery's field.
For there amongst the dead
the secret is told
that the night is old
And the wind holds its surprise
for those that rise
at the early hours of the day
to the crying sound of the wind
swimming through the obstacles of
civilization.
Wrapping towers
as it hugs the glass
that just kissed the wood
of the windowsill.

The wind runs through the narrow alleys
that barely have room for two.
And the holes in the walls
let the wind run through
and chill the bones of a child
as the wind whistles it a lullaby
of free flying winds
under blue skies.

Brick and cloth
all keep the wind out.
Leaving it to wiggle the young trees
whose leaves fall
into the hands of troubled winds
who have traveled through cities and walls,
choked by the scrapers in the sky.

Back in the cemetery
the wind flies freely
amidst those who lye in sand
easily blown by the wind.
The wind doesn't whistle or hymn
and there is no glass to hug and kiss.
Just space for wind and wind for space
above a sheet of soil
hiding those who have become like wind
themselves.

Hypatia

I admire your intelligence,

I really do.

All your philosophy, and thought.

all your names.

I love to discuss them with you,

I love to play those mental games.

Oh, how your ideas

blind my minds eye.

I want to hear more

I really do.

And did I mention,

you're the most beautiful person I know.

Sorry, for going off topic,

as far as your ideas go.

But I can't help but notice,

your tender eyes,

and waving hair.

They are real to me,

even with my minimal vocabulary skill.

And your gentle hands

that turn the pages 

you read while you lie calmly

under the eclipsed sun.

I notice that too,

even though

I can't formulate the question

it's supposed to respond to.

I am juggling thoughts

or perhaps I'm rotating

minds.

Listening to Athena in your voice

and Aphrodite in your eyes.

Can I worship more than one Goddess?,

Or maybe I can just do one sacrifice.

I wonder how many pantheons I can call my place,

As my thoughts and visions grow to proportions

I've yet to learn to embrace.

 

I like to stick to your ideas

and your intellectual feats. 

Directing my attention 

to your novel claims

and accomplished tasks.

I hear what you ask,

I have an answer,

but I can't say it.

Because my planned explosion 

has just imploded

in the frontal cortex of my juggling brain.

If you would slow down

I would follow you 

to your windowless room.

And I'll look out through the

crack in the ceiling I just made.

And I'll also read some of your books

I know you are mentioned in quite a few.

I'l try to concentrate on what they say,

if I manage 

not to get distracted by you.

History Stones People

History stones people.

They stoned Moses, David and Linclon,

history did that for all to see

Marbel and cement,

that's all it leaves behind

of a long changing life.

Great heroes of time,

fall under the mercy

of the sculptor's knife.

History stones faces,

in a way that would make

ecclestias cringe.

History stones feet,

in a way that would make

piligrims cry.

History stones life

to always stay fresh,

yet, what is life without

the sins of the flesh.

All the radical kids

get stoned

and never change'

or even move a muscle.

All the sword raising warriors

history stoned

without blood in their veins.

You can see all the victims

that history stoned

when you walk in the park,

they got kings

and queens

hell, they even got Gods.

They are there captive

in history's stones,

never to be again what they were;

wilting flesh and

breakable bones.

People look up at them

they are victims too.

History's stones fall far,

even on to you.

Those stoned to live

are like the ones stoned to die.

enslaved to the search

for the frozen smile.

Life is a burning bush

that doesn't get consumed.

not a dead rock

or a statue of history.

It's a fusing wind

of happinnes and misery.

An exploding volcano

of courage and fear.

It is the stem of the flower

struggling through the seasons

to stand and bloom

above the drying soil.

Life is the fighting wave

you see at sea

forgotten and denied

by the stones of history.